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Matthew Lutton (born 28 July 1984) is an Australian theatre and opera director. Lutton was born at Perth, Western Australia. He attended Perth's Hale School, graduating in 2001. From 2002 to 2004 he studied Theatre Arts at the West Australian Academy of Performing Arts, and in 2011 relocated to Melbourne. == Theatre == In 2002 Matthew Lutton formed the ThinIce theatre company which staged Ionesco’s ''The Bald Prima Donna'' at the 2003 Perth International Fringe Festival. For ThinIce he directed the premiere of Brendan Cowell’s play ''Bed'' at Perth Institute of Contemporary Arts〔("Bed - ThinIce Productions" ), Perth Institute of Performing Arts, 30 November 1999〕 and devised two new works with Eamon Flack, ''The Gathering'' in 2005 and ''The Goose Chase'' in 2007. The ''Goose Chase'' was a solo piece for Eamon Flack, co-produced with Deckchair Theatre. Lutton was appointed the Artistic Director of Black Swan Theatre Company’s emerging artists' program at the BSX-Theatre in 2003 where, between 2003 and 2006, he directed Harold Pinter’s ''Mountain Language'', Mrozek’s ''Striptease'', Buchner’s ''Woyzeck'' and Dürrenmatt’s ''The Visit''. He became the Associate Director of the Black Swan Theatre Company in 2006, and in 2007 directed Mishima’s ''The Lady Aoi'' for the Perth International Arts Festival. In 2008 Lutton was Michael Kantor’s Assistant Director on Malthouse Theatre’s production of ''Moliere’s Tartuffe'' in Melbourne. Kantor fell ill two days before rehearsals commenced and Lutton was invited to take over the production as director.〔("Love in the depths of war and violence" ). ''Sydney Morning Herald'' 3 July 2008. Retrieved 27 June 2012〕 He then went on to direct the world premiere of Tom Holloway’s play ''Don’t Say the Words'' at Sydney’s Griffin Theatre Company〔("Don't Say the Words by Tom Holloway" ), Griffin Theatre Company, 2008〕 and ''Red Shoes'' (a version of the Hans Christian Andersen story adapted by Humphrey Bower) for ThinIce and Artrage. In 2009 ThinIce was appointed triennial funding from both the Australia Council for the Arts and ArtsWA. Over the next three years ThinIce created six new works in partnership with other Australian arts organizations. These included a new production of ''Antigone'' (adapted by Eamon Flack and featuring singer Rachael Dease) with the Perth International Arts Festival; ''The Duel'' (a Dostoevsky adaptation written by Tom Wright) with Sydney Theatre Company;〔Simmonds, Diana: ("The Duel" ), Stage Noise, 11 June 2009〕 Tom Holloway’s ''Love Me Tender'' with Belvoir Street Theatre and Griffin Theatre Company; ''The Trial'' (adapted from the Kafka novel by Louise Fox) with Sydney Theatre Company and Malthouse Theatre;〔Croggan, Alison: ("Horror persists in superb reworking of Franz Kafka's nightmarish classic" ), The Australian, 20 August 2010〕 and ''Die Winterreise'' with Malthouse Theatre〔Sutherland, Julia: ("Die Winterreise" ), Theatre People, 25 July 2011〕 and the Brisbane Festival. During this time, ThinIce and Lutton also developed work with Bell Shakespeare and Sydney Dance Company. The same year Lutton directed part one of ''The Mysteries: Genesis'' at Sydney Theatre Company. Parts two and three were directed by Tom Wright and Andrew Upton. Lutton was appointed as the Associate Artist (Directing) at Melbourne's Malthouse Theatre in 2011, which initiated his decision to close down ThinIce and relocated to Melbourne. ThinIce was officially disestablished in April 2012. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Matthew Lutton」の詳細全文を読む スポンサード リンク
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